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Olivia Valentine’s ‘My Records Back’: A Baroque Pop Adventure

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“Olivia Valentine’s lead single “My Records Back” blends orchestral elements with indie rock, reflecting themes of powerlessness. The track showcases intricate arrangements and emotional depth, hinting at future creative evolution.

On their lead single from The Couch Cushion EP, Olivia Valentine transforms a simple request into an orchestral fever dream. “My Records Back” arrives like a baroque pop tornado, with vintage synths and horn arrangements swirling around what initially presents as a straightforward indie rock foundation.

The New Orleans-based outfit, spearheaded by Phil Korosec and Geoff Hrabar, demonstrates remarkable restraint in their maximalism. Each instrumental flourish serves the narrative, from the horns that punctuate moments of tension to the vintage synthesizers that create an atmosphere of displaced time. It’s the sound of a memory being actively distorted by the present.

Within the lyrics, a seemingly simple demand – “I want my records back” – becomes a metaphor for powerlessness. The protagonist oscillates between assertion and submission, “trying to get up” only to have their elbow grabbed, watching others who “came just to party” while deeper dramas unfold. The repetition of “Is that too much to ask?” carries increasing weight with each iteration.

The track’s arrangement mirrors this emotional turbulence. Traditional indie rock structures dissolve and reconstitulate themselves throughout the piece, while baroque elements weave through the gaps like ivy through lattice. It’s here that Korosec’s jazz background and the band’s collective experience shine, allowing them to navigate these complex musical territories without losing the song’s emotional thread.

Thomas Dietzel’s trombone work deserves special mention, adding textural depth that elevates the track beyond typical indie rock territory. Meanwhile, Larissa Dietzel’s bass lines and Daniel Bishop’s percussion create a rhythmic foundation solid enough to support the song’s more experimental flourishes. The result feels both grounded and weightless, like a house floating in a tornado.

The production captures the band at a creative peak, building on the promise of their 2023 debut Reverberations while pushing into new sonic territory. The addition of baroque pop elements doesn’t feel like mere ornament but rather an essential evolution of their sound, suggesting exciting possibilities for the full EP dropping this fall.

“Some came just to party / But most were in disbelief” serves as both lyrical centerpiece and mission statement. It’s a perfect encapsulation of how Olivia Valentine approaches their craft – creating music that works on multiple levels, rewarding both casual listeners and those willing to dive deeper into its complexities.

When the song drops on July 19th, it will serve as more than just a preview of the upcoming EP – it’s a statement of intent from a band that has found its sweet spot between experimentation and accessibility. Fans can catch these new arrangements live when the band performs at the New Marigny Theater on November 22nd, but until then, “My Records Back” offers plenty to unpack.

The final whispered “Sorry” that closes the track feels less like an apology and more like a promise of things to come, suggesting that while this chapter of Olivia Valentine’s story may be ending, the next one is already being written.”

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